Cauce de infinitud en 'Canción en blanco', de Álvaro García: la circularidad en un poema extenso como clave argumental

The aim is to demonstrate how the word “time”, recurrent in this long poem, is the key to the argument that manages to give circularity to the vital experience that Álvaro García objectifies in “Canción en blanco”. Thus, from the circular fixation of memories inserted in the poem, the temporal flow that conveys them is born and reborn from the reflection of the present, which is projected, in continuous back and forth, towards the past and the future. In short, the exploration of time is linked as a poetic resource that extends the experiential substratum beyond the text itself, and, in turn, establishes an ontological transcendence.